Eric Smith, B.A.’93
Making an Impact
By Carol Olechowski
Easy Star Records CEO Eric Smith always wanted to “make an impact” in the world. And he has – though not in the way he had anticipated.
“A huge music fan, especially of reggae,” Smith thought he was headed for a career in politics and government. “My father was very active in the civil-rights movement, and both my parents were pretty political. Growing up with continuous dialogue about the civil-rights struggles here at home, as well as about many other social movements around the globe, I became passionate about making my own impact toward social progress,” the New York City native recalled.
Smith enrolled at what was then SUNY Albany to study political science, switching his major to sociology junior year. He also maintained his interest in reggae. “Albany’s Arbor Hill neighborhood had a strong Caribbean community, so most of the big Jamaican reggae artists would come through town, and there were always reggae parties on and off campus. A great record shop near Clinton Avenue was able to supply my fix for new vinyl. I would head down every other Friday with my earnings from my work-study job in the campus post office to get the latest releases.”
After graduation, Smith returned to his hometown, where he worked as a news assistant on The New York Times’ Metro desk. “I loved sociology and assumed I would go back to college for my master’s, but at the time I was ready for a break from school and enjoyed working in the ‘real world.’”
In 1996, Smith and some friends were venting their frustration “with much of what the reggae record labels were putting out.” They decided “to get off the sidelines and make some music ourselves,” and Easy Star Records was born. The label’s name, Smith explained, “is from the Jamaican patois salutation, ‘Easy, Star,’” as in “Take it easy, Star.”
The greatest challenge for Smith and label co-founders Lem Oppenheimer, Michael Goldwasser and Remy Gerstein “was that none of us knew anything about starting a business. We had to start from scratch, but we methodically learned everything we could. We focused on the challenges at hand, rather than becoming overwhelmed by the scope of starting a business.”
Initially, Smith felt that his studies “would be of little use for this new career path,” but he soon realized he was “applying sociology to the business.” He observed: “At the end of the day, the music business – any business – is about relationship building, both at the micro level, with the artists, press, retailers, distributors and promoters, and at the macro level, with fans. In all these interactions, we are experiencing and reacting to human social behavior, which is the root of what sociology is all about.”
That approach has worked well for the business. Early on, Smith noted, Easy Star artists included “veterans like Sugar Minott, Ranking Joe, Sister Carol, Junior Demus and Sluggy Ranks, along with up-and-coming artists like Rob Symeonn, Ruff Scott and Ossie Dellimore.” The 2003 recording of Dub Side of the Moon, a cover of Pink Floyd’s Dark Side of the Moon, “expanded our reach and helped expose roots reggae to a wider audience.” Today, The Black Seeds, a platinum-selling reggae/soul/funk group from New Zealand; acclaimed Texas singer-songwriter Cas Haley; Ticklah, a founding member of the studio band, the Easy Star All-Stars; Gogol Bordello bassist Tommy T; and Hawaii’s The Green all record for the label. “Our newest signing, Passafire, from Savannah, Ga., debuted its latest album at No. 1 on the Billboard Reggae Chart last November,” added Smith, who lives in New York’s East Village with his wife and their daughter Simone, 10.
At Easy Star, Smith oversees “production, artist management, marketing, distribution, accounting” and other operations. “I love that there is creativity in every aspect of the work we do,” he said. “The name, the logo, the production, the art packaging and the marketing plan provide countless opportunities for creative input.
“While I may not have ended up in a field I originally thought I would ‘make a difference’ in, I am still fulfilling that mission. Music, and especially reggae, has played an integral part in fostering and ultimately advancing social change. It has been the soundtrack for liberation and self-empowerment around the globe. I’m deeply proud and honored to have played a part in getting some of that music out to a worldwide audience,” Smith reflected.
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Spring 2014 - Cover Story
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