Faculty
Director of Documentary Studies
Gerald Zahavi, Ph.D. (Professor, History),
Sheila Curran Bernard (Assistant Professor, History)
Associate Director of Documentary Studies
Phyllis Galembo, M.F.A. (Professor, Art)
Robert Gluck, M.H.L., M.S.W., M.F.A. (Assistant Professor, Music)
Daniel S. Goodwin, M.F.A. (Associate Professor, Art)
Teresa M. Harrison, Ph.D. (Professor, Communication)
William Husson, Ph.D. (Visiting Assistant Professor, Communication)
Yvettte Mattern, M.F.A. (Assistant Professor, Joint/Art and Music)
William Rainbolt, Ph.D. (Associate Professor, Director of the Journalism Program)
Ray Sapirstein (Assistant Professor, History)
Degree Requirements for the Faculty-Initiated Interdisciplinary Major with a Concentration in Documentary Studies
General Program B.A.: A minimum of 36 credits, distributed in the following way:
Required Core Course
A Doc 251 Introduction to Documentary Studies (3)
Theory and Foundation Courses
Two (2) courses, chosen from the following. (6 credits). Most of the courses listed below are offered every year.
A Arh 265 History of Photography
A Com 238 Introduction to Mass Communication
A Com 370 Theories of Mass Media
A Com 378 Introduction to Semiotics
A Com 465 Politics of Media
A Jrl 475 Topics Course in Documentary Traditions in Prose and Photography
A Jrl 475 Topics Course in Documentary Film: History and Criticism/A History of the Visual Documentary
Concentrations: Two courses in any two documentary concentrations; students must select two (2) courses within each of the two concentrations they choose. (12 credits). Note that some courses are listed under two categories. Most courses are offered every year.
Nonfiction Writing and Print Journalism
A Eng 220Z Expository Writing (3)
A Jrl 220Z Beginning Reporting and News Writing
A Jrl 308Z Narrative and Descriptive Journalism
A Jrl 475 Topics course in Documentary Script Writing
Photography
A Art 244 Beginning Photography
A Arh 265 History of Photography
A Jrl 380 Photojournalism
Non-Fiction Film/Video
A Art 346 Introductory Film Production
A Com 378Z Persuasion and Film
A His 390 Readings and Practicum in Historical Film and Video Documentary Production.
* Additional non-fiction film courses are offered from time to time in various U-Albany departments—as well as through Film Studies. These may also be taken, with permission, to fulfill the concentration requirements.
Radio/Audio
A Com 378 Radio and the Public Imagination
A His 390 Producing Historical Documentaries and Features for Radio
A His 394 Readings and Practicum in Oral and Video History
A Mus 295 Introduction to Audio Recording
A Mus 325 Introduction to Electronic Music
A Mus 426/526 Studio Work in Electronic Music and Media
A Mus 428/528 Sound Design and Multi-media
Multimedia/Hypermedia
A Art 250 Introduction to Digital Imaging
A Art 350 Intermediate Digital Imaging
A Art 450 Advanced Digital Imaging
A Com 465Z Communicating on the Internet
A His 390 (section xxxx). Workshop in Digital History
A Jrl 390Z Digital Media Workshop I: Web Publishing
A Jrl 392Z Digital Media Workshop II: Desktop Publishing
A Jrl 490Z Online Magazine Workshop: Web Magazine Workshop
A Mus 428/528 Sound Design and Multi-media
Documentary Studies Fieldwork Seminar
Documentary Studies Fieldwork Seminar
(3 credits / 4 credits if taken with A Doc 451 for Honors credit):
A Doc 450 (new course). Senior Seminar and Practicum in Documentary Studies
A Doc 451 (new course) Honors Seminar and Practicum in Documentary Studies
Electives
Taken from any of those listed below. Courses should not repeat any taken to fulfill the two core concentration requirements above. One independent study course relevant to the student’s area/s of concentration may be substituted for one of the electives. (12 credits). Most of these courses are offered yearly; some, bi-annually. Other courses not listed here may be included with the approval of the Director.
Art
A Art 244 Beginning Photography
A Art 250 Introduction to Digital Imaging
A Art 344 Intermediate Photography
A Art 346 Introductory Film Production
A Art 348 Color Photography
A Art 350 Intermediate Digital Imaging
A Art 444 Advanced Photography
A Art 446 Topics in Photography
A Art 447 Advanced Film Production
A Art 450 Advanced Digital Imaging
Art History
A Arh 261 Independent Cinema
A Arh 265 History of Photography
A Arh 266 Photography: 1970 to the Present
Communication Courses
A Com 238 Introduction to Mass Communication
A Com 345Z Argumentative Methods
A Com 370 Theories of Mass Media
A Com 378 Introduction to Semiotics
A Com 465 Politics of Media
A Com 465Z Communicating on the Internet
History
Note: History 390 is currently a multi-section course, with each section number associated with different topics and titles. In the future, each section will probably have a separate course number.
A Doc 404 (= A His 404) Readings and Practicum in Aural History and Audio Documentary Production
A Doc 407 (= A His 407) Readings and Practicum in Digital History and Hypermedia (4)
A His 390 Readings and Practicum in Historical Film and Video Documentary Production
A His 394 Workshop in Oral History
A His 499Q Special Projects in History and Media
Journalism
A Jrl 308Z Narrative and Descriptive
A Jrl 364 & A Jrl 365: Special Topics Courses
A Jrl 350Y Journalistic Interviewing
A Jrl 380 Photojournalism
A Jrl 385 Broadcast Journalism
A Jrl 390Z Digital Media Workshop I: Web Publishing
A Jrl 392Z Digital Media Workshop II: Desktop Publishing
A Jrl 475 Topics course in Documentary Writing for Print
A Jrl 475 Topics course in Documentary Script Writing
A Jrl 475 Topics Course in Documentary Traditions in Prose and Photography
A Jrl 490Z E-Zine: Online Magazine Workshop
Additional courses offered intermittently include the following, many of which are very appropriate for documentary work:
"Media Law and Ethics" examines the current state of media law and ethics, with some attention also given to the historical roots. Topics covered by the course include: First Amendment, conflicts between the values of a free press and a fair trial, libel, invasion of
privacy, protection of confidential sources and information, freedom of information, copyright, telecommunications, and ethical dilemmas.
"The American News Media in the Twentieth Century" is a lecture course surveying the historical development of radio, television, newspapers and magazines, and digital media in the 20th century. To a lesser extent, it also addresses films, book publishing, public relations, and advertising.
"Environmental Journalism" is a reporting and writing workshop that examines a wide variety of issues in media coverage of such subjects as nuclear waste disposal, alternative fuels research, global warming, saving endangered areas and species, and "nimby" (not-in-my-backyard) controversies. It is intended for students in Journalism and Earth & Atmospheric Sciences but open to anyone with an interest in the subject.
"Science Journalism" is a workshop that introduces students to reporting on, and writing about, a variety of current issues in science, medicine, technology, and the environment.
A Jrl 495 Journalism Internship
A Jrl 497 Independent Study
Music
A Mus 295 Introduction to Audio Recording
A Mus 325 Introduction to Electronic Music
A Mus 426/526 Studio Work in Electronic Music and Media [formerly Creative Work in Electronic Music]
A Mus 428/528 Sound Design and Multi-media. (Cross-listed with Art, Theater; formerly Computer Applications in Music II)
Supporting Topical Academic Courses
Students are strongly encouraged to select minors and supplementary courses supportive of their topical or subject areas of documentary interest. Those students who are attracted to international documentary work should consider history, foreign language, anthropology, globalization, political science, and sociology courses. Those interested in science and technology as a subject area of future documentary work, should take science and technology courses supportive of this concentration. Those drawn to biography and humanities topics should look at the offerings of the English department. All students should discuss their topical interests with their advisers and build a substantive base in one or more disciplines.
Degree Requirements for the Honors Curriculum in Documentary Studies