|
|
Welcome to the web site for CLC 223L: Masterpieces of Greek Tragedy &
Comedy
Course Information
|
Contact Information
|
Title: CLC 223L -
Masterpieces of Greek Tragedy & Comedy
Call Number: 6660
Semester: Spring 2003
Meeting: Monday & Wednesday, 2:30pm-3:50pm
Instructor: Dan Gremmler
|
Office: Humanities 385
Office Hours: Monday, 12pm-2pm; Thursday, 4pm-7pm; by appointment
Phone: 334-1413
E-mail: [email protected]
(e-mail is the best way to contact me outside of office hours) |
- sticky - Please
note the new phone number. Some (or all) of the syllabi
distributed during the first day of class are already out of date.
DO NOT TELEPHONE THE WRITING CENTER to reach me. If you MUST
telephone, use 334-1413.
- 4/23 - reading schedule has been slightly revised. expect
reading quizzes every day from here on out!
|
Course Description
This course was designed both for majors and non-majors with cursory
knowledge of Greek Drama at the sophomore level. Although this is primarily a literature
course, it approaches Greek Drama from anthropological and historical
perspectives (among others). That is to say, Greek Tragedy & Comedy were very
particular events and occurred during specific historical moments.
A detailed understanding of the moment in which these plays were
produced (the socio-political climate, etc.) is necessary to uncovering
[some of] the "meanings" embedded within each particular play. Of
course, the idea that there are specific meanings that readers can
decode from texts is problematic in and of itself, saying nothing for
the difficulty of defining what the term "meaning" means.
Nevertheless, this class will address these and other theoretical
problems within the context of Greek Drama and a few selected historical
& analytical texts (Aristotle, Barry S. Strauss, Thucydides). Familiarity with specific literary theories is NOT a
prerequisite for this course. However, the introduction of various
[conflicting] theories, in addition to the analytical texts that I will
provide for you, is certainly a component of this course. In
taking CLC 223L,
students will learn to analyze Greek dramatic texts on a critical level and
demonstrate this ability in either two take-home examinations or one
take-home examination and a 5-10 page term paper. Historically
speaking, Greek Drama did not suddenly appear out of the ether. It evolved
out of Greek culture in the specific historical moment of the 5th
Century. In fact, we can narrow this moment even further by
speaking of 5th Century Athens, since the only extant Greek Dramas came from 5th Century Athens.
While
Tragedy is an earlier dramatic form than Comedy, its roots
can be traced further, to other forms of Greek ritual and poetry. Specifically,
Tragedy is often compared to and contrasted with Epic. Certainly, Epic
poetry (a form of lyric poetry) was the dominant art form before
Tragedy and, later, Comedy took "center stage." Thus,
for a more accurate understanding of the historical moment that was 5th
Century Athenian Tragedy, it stands to reason that Epic poetry ought to be considered
in our analysis of Greek Drama.
Since the Iliad was the most lasting and impressionable Epic (lyric)
poem whose story was known to all Hellens (Greeks), we will use it as a barometer with which to gauge the
socio-cultural shift that took place in the early 5th Century that gave
rise to Tragedy. From Tragedy, we will move into more
traditionally historical texts (because such things had also come into
being during the 5th Century) in order to better understand the
sociopolitical climate in which Aristophanes wrote his comedies: the
atmosphere of The Peloponnesian War. After our short digression in
historical documents, we will explore the comedies of Aristophanes. |
|
|
GENERAL EDUCATION CATEGORY: HUMANITIES
This course fulfills the General Education requirement for
Humanities, and as such, the following guidelines apply:
Characteristics of all General Education Courses
- General Education courses offer introductions to the central
topics of disciplines and interdisciplinary fields.
- General Education courses offer explicit rather than tacit
understandings of the procedures, practices, methodology and
fundamental assumptions of disciplines and interdisciplinary fields.
- General Education courses recognize multiple perspectives on the
subject matter.
- General Education courses emphasize active learning in an engaged
environment that enables students to be producers as well as consumers
of knowledge.
- General Education courses promote critical inquiry into the
assumptions, goals, and methods of various fields of academic study;
they aim to develop the interpretive, analytic, and evaluative
competencies characteristic of critical thinking.
Learning Objectives for General Education Humanities Courses
Humanities courses teach students to analyze and interpret texts,
ideas, artifacts, and discourse systems, and the human values,
traditions, and beliefs that they reflect.
- Humanities courses enable students to demonstrate knowledge of the
assumptions, methods of study, and theories of at least one of the
disciplines within the humanities.
Depending on the discipline, humanities courses will enable students
to demonstrate some or all of the following:
- an understanding of the objects of study as expressions of the
cultural contexts of the people who created them
- an understanding of the continuing relevance of the objects of
study to the present and to the world outside the university
- an ability to employ the terms and understand the conventions
particular to the discipline
- an ability to analyze and assess the strengths and weaknesses of
ideas and positions along with the reasons or arguments that can be
given for and against them
- an understanding of the nature of the texts, artifacts, ideas, or
discourse of the discipline and of the assumptions that underlie this
understanding, including those relating to issues of tradition and
canon
Requirements & Grading Policies
Grading
- Class participation - participating in class discussion and
completing assigned readings; attendance will be taken by a short
answer question based on the readings assigned for discussion on the
given class meeting; these short answer questions will be collected
and account for your class participation grade (10%)
- Midterm - short answer & essay take-home exam (40%)
- Final exam - short answer & essay take-home exam OR 5-10 page paper on
topic approved by instructor (50%)
Student Expectations
- Attendance - Attendance IS mandatory. Students shall be
permitted a maximum of 3 unexcused absences. Every subsequent
absence will result in the lowering of your final grade by 1/3 of a
letter grade (e.g., an A would become a B+). This policy will be
in effect up to 6 absences; after the 6th absence, offending students
will receive a failing grade for the course.
- Class handouts - Throughout the semester, I will distribute
critical essays that deal with various aspects of Greek Tragedy &
Comedy. It is the students' responsibility to obtain a copy of
these essays if absent and to be
prepared (having read them) for the appropriate class meetings.
- Online assignments - In lieu of distributing physical
copies of handouts, certain reading assignments may be posted
on the class web site. Students are expected to read them for
the appropriately assigned class meetings. You can, of course,
print them so that you have your own physical copy on which to take
notes (I recommend it), but I will not be supplying physical handouts
for these required readings.
Required Texts
Required books for this course have been ordered both through Mary
Jane Books and the School Bookstore.
- Aristotle, Poetics
ISBN:
0807842036
- Thucydides, The Peloponnesian War
ISBN: 0872203948
- Strauss, Barry S., Fathers and Sons in Athens: Ideology and Society in the
Era of the Peloponnesian War
ISBN: 0691015910
- Sophocles, The Theban Plays (Oedipus Tyrannous,
Oedipus at Colonus, Antigone)
ISBN:
0679431322
- Aeschylus, The Orestia (Agamemnon, The
Libation-Bearers, The Furies)
ISBN:
0374527059
- Euripides, The Bacchae, The Hippolytus
ISBN:
0451527003
- Aristophanes, The Clouds, The Frogs, The Lysistrata
ISBN:
0452007178
- Homer, The Iliad
ISBN:
0140445927
Plagiarism
"Don't let plagiarism happen to you!"
The following spiel on plagiarism comes straight from the University
at Albany's Undergraduate Bulletin. Students should familiarize
themselves with these guidelines because they apply unilaterally to ALL
University at Albany students whether the students are aware of these
guidelines or not:
The University at Albany expects all members of
its community to conduct themselves in a manner befitting its tradition
of honor and integrity. They are expected to assist the University by
reporting suspected violations of academic integrity to appropriate
faculty and/or administration offices. Behavior that is detrimental to
the University's role as an educational institution is unacceptable and
requires attention by all citizens of its community.
Presenting as one's own work the work of another
person (for example, the words, ideas, information, data, evidence,
organizing principles, or style of presentation of someone else).
Plagiarism includes paraphrasing or summarizing without acknowledgment,
submission of another student's work as one's own, the purchase of
prepared research or completed papers or projects, and the
unacknowledged use of research sources gathered by someone else. Failure
to indicate accurately the extent and precise nature of one's reliance
on other sources is also a form of plagiarism. The student is
responsible for understanding the legitimate use of sources, the
appropriate ways of acknowledging academic, scholarly, or creative
indebtedness, and the consequences for violating University regulations.
EXAMPLES OF PLAGIARISM INCLUDE: failure to
acknowledge the source(s) of even a few phrases, sentences, or
paragraphs; failure to acknowledge a quotation or paraphrase of
paragraph-length sections of a paper; failure to acknowledge the
source(s) of a major idea or the source(s) for an ordering principle
central to the paper's or project's structure; failure to acknowledge
the source (quoted, paraphrased, or summarized) of major sections or
passages in the paper or project; the unacknowledged use of several
major ideas or extensive reliance on another person's data, evidence, or
critical method; submitting as one's own work, work borrowed, stolen, or
purchased from someone else.
for a detailed explanation of the
Standards of Academic Integrity at the University at Albany, see the
following link:
https://www.albany.edu/undergraduate_bulletin/regulations.html.
|
|
|