https://www.albany.edu/offcourse
http://offcourse.org
ISSN 1556-4975
Published by Ricardo and Isabel Nirenberg since 1998
Consummate
(even divine)
noodling
But there’s more
to him than
one brew
More than a one
mile bitch
stirring
And cycling
(cycling…)
prayerfully
displaced
rhythms
Most recently
as many miles
as Poland
See http://www.benniemaupin.com and http://en.wikipedia.org/wiki/Bennie_Maupin
Smart women say heavy metal guitarists
just playing with themselves
Here it’s thrash & bash
(for those so in-
clined
Ookie dookie,
unless it gets to effin’
endless études
Wilco
& out
Part jazz, part classical, part serious, part parody, part free jazz, part virtuosity—and wholly entertaining. Think Frank Zappa at his wackiest getting together with Stan Kenton to beat up Spike Jones…
Jazz.com
Nothing droll here—
Seattle genre
-bending band
(with silly hats
storytelling
dance routines
absurdist humor*
A very fun
vibe, plus they’ll
go to your local
grade school too
—good for a
limited engage-
ment
U-Tube catches
all the
zaniness
Great intro-jazz
band for a
one-off
Like they say above:
part fun
part fun
part more fun
(Help…)
Stephen Bett says:
Like several of my books, the current ms, titled Sound Off: a book of jazz, is, loosely, a "serial" poem, a book of 76 linked poems, each responding (myself as a jazz fan) to the work of 76 very current jazz musicians. These jazzers fall, very roughly, into three general camps: the "sons of Miles" (Jarrett, Hancock, Corea, McLaughlin, Scofield, Shorter, etc.); the ECM artists (largely Norwegian, the very contemporary sound coming from jazz's second centre these days); and very young (20-something), hip, interesting, & mostly NYC-based musicians. This is NOT a book for jazz fans alone —it is a book of poems. (Its subject matter, as in poetry books by Richard Stevenson & David Meltzer, concerns jazz musicians.) I write strictly as a fan. I am not a musicologist but I think (hope, believe) my enthusiasm for these musicians might be shared by readers. This is a book of poems celebrating music. They are poems for readers —no jazz expertise required.
For reviews of Stephen Bett's books, please see http://www.stephenbett.com/