https://www.albany.edu/offcourse
http://offcourse.org
ISSN 1556-4975
Published by Ricardo and Isabel Nirenberg since 1998
Which way is Jerusalem?
She puts down her fork
and her baked potato.
The blood in her eye
is from a dishonored fig tree.
All afternoon, she’s been battling
the legions of Titus
on the Forest Hills tressle.
She has a thousand Roman heads
in her shopping bag,
all of them wailing
in her derailed Yiddish
that starts up in her
as she pins to herself
a medal of sand and vinegar.
Her brother sings her an aria
from the Book of Psalms.
They could be on a gondola
in Venice,
but they are not.
They are in a moat.
His skullcap is a kettle of jelly
she touches, just barely,
with her pinky.
He becomes a boat for her,
a dark canal,
a gondolier.
She is afraid
to ask his name.
If it’s not him,
and it may not be,
he will souse her with silence,
and the desert
that kneels in her mouth
will flex a tawny muscle,
give her a little push.
He once plastered walls,
but now his nose
is bolted to her shoulder.
She thinks she sees her father
in the sycamore tree
and offers herself to be eaten,
a brazen Jewish apple from Plonsk.
The wad of twenties
sloshing in her slipper
makes her feel sexy.
She winks at the man
with the nose on her shoulder.
He doesn’t want her.
He makes a grab for her slipper.
They roll around on the rug
like in the old days.
Robert Hirschfield is currently at work on stitching together a large enough cycle of Alzheimer's poems to comprise a chapbook. His poems have been published internationally, in Salamander and Pamplemousse, as well as Offcourse, in the US, Descant in Canada and European Judaism in the UK. His stories on poets have appeared in The Writer, and his reviews of books of poetry, in The Jerusalem Report.