poems by Miriam Kotzin
https://www.albany.edu/offcourse
http://offcourse.org
ISSN 1556-4975
Published by Ricardo and Isabel Nirenberg since 1998
1.
The latitude says they
can't be orange trees.
Still, they're improbable.
Who would expect
apricots to grow wild
near these river banks?
Immodest fruit
puts itself forward,
bright against dark
static green leaves—
the Unicorn Tapestry
reimagined in Colorado.
2.
The sun strikes the flint
surface of Roaring Fork
with blinding certainty.
Water rushes over rocks
(rote admonitions and
insensible warnings).
What is the smell of
a mountain river troubled
by distant rains? Perhaps
the remembered taste
of your own blood, sucked
from a fresh-cut finger.
3.
Maybe because it was
something to do or so
I could say that I'd gone,
I walked up the hill like
the other tourists,
a sweet hour on the lam.
Doc Holliday's somewhere
in Linwood—maybe.
I arrived empty-handed.
I found flowers, smokes,
whiskey, cards, cash—what's left
when the party's raided.
From the sun-bearing sea,
restless, issues its complaint.
Nothing specific, you understand,
but a general kvetch about
this and that: the burden of sun,
moon, all those boats, and,
of course, the fish, intrusive,
making themselves quite at home.
Ridiculous, you say, with a flourish
of your hand. Well then, no wonder
I smile and say, "Fine, fine. Never
better," when you ask how I'm doing.
I dare say nothing that matters: all
night the windows like tambourines,
the long white envelope I will not open,
the willow branches dripping with rain.
We are always
under
and never above
whatever
it may be.
Not
weather alone, but
scrutiny
(when you keep
it
under your hat),
and
you, for example,
kept
me under your
thumb,
but now I
am
finally so over
you.
Miriam N. Kotzin teaches creative writing and literature at Drexel University. Her collection of short fiction, Country Music (Spuyten Duyvil Press 2017), joins a novel, The Real Deal (Brick House Press 2012), and a collection of flash fiction, Just Desserts (Star Cloud Press 2010). She is the author of five collections of poetry, most recently, Debris Field (David Robert Books 2017). Her fiction and poetry have been published Shenandoah, Boulevard, Smoke Long Quarterly, Eclectica, Offcourse, Mezzo Cammin, and Valparaiso Poetry Review, among others. She is a contributing editor of Boulevard.